
26a: A Novel
Author(s): Diana Evans (Author)
- Publisher: Harper Perennial
- Publication Date: August 22, 2006
- Language: English
- Print length: 304 pages
- ISBN-10: 0060821825
- ISBN-13: 9780060821821
Book Description
A hauntingly beautiful, wickedly funny, and devastatingly moving novel of innocence and dreams that announces the arrival of a major new talent to the literary scene
In the attic room at 26 Waifer Avenue, identical twins Georgia and Bessi Hunter share nectarines and forge their identities, while escaping from the sadness and danger that inhabit the floors below. But innocence lasts for only so long—and dreams, no matter how vivid and powerful, cannot slow the relentless incursion of the real world.
Editorial Reviews
Review
“A heartwarming epic that’s never syrupy sweet. A-.” — Entertainment Weekly
“[A] marvelously written novel . . . rich with both ordinary and extraordinary realities.” — Fort Lauderdale Sun-Sentinel
“Beautiful . . . A very earthy and relatable tale of family bonds and fractures.” — Boston Herald
“[Evans] can turn a haunting, perfect praise. A promising debut from a young author with much yet to offer.” — Library Journal
“Superb [and] quirkily rendered.” — Vancouver Sun
“Evans’s lyrical telling . . . fluidly juxtaposes disparate worlds.” — ALA Booklist
“A trenchant debut that speaks eloquently about identity, displacement, the most anguished of losses, and bone-deep love.” — Booklist
“A sad, magical telling of the uncommon link between Gemini sisters . . . enchanting.” — Toronto Star
“Kept me reading past midnight . . . hugely assured and very moving.” — Daily Telegraph (London)
“Bittersweet . . . an alluring blend of fairytales and nightmares.” — Daily Mail (London)
“A vivid, affectionate picture of the family as a melting pot.” — Daily Telegraph (London)
“At once tender and funny: [26a is] a keen study of home, homelessness and the limits of symbiosis.” — Kirkus Reviews
“Beautiful . . . Evans is in a class of her own.” — Melbourne Herald Sun
“Heartwrenching.” — Sunday Times (London)
“Funny, intimate and moving.” — London Sunday Times
“Amazing. . . . 26A deserves to be read, and reread, by a large audience.” — Boston Globe
“Beautifully written.” — New York Times Book Review
“Marvelously written . . . rich with both ordinary and extraordinary realities .” — Seattle Times
“[A] poignant debut novel.. . . Perfect for your next book-club selection.” — Essence
“Enjoyable and engrossing . . . Evans has a distinctive voice.” — The Observer
About the Author
Diana Evans has worked as a journalist and arts critic, contributing to Marie Claire, The Daily Telegraph, The Observer, and The Independent. Her short fiction has appeared in a number of anthologies. She lives in London, England.
Excerpt. © Reprinted by permission. All rights reserved.
26a
A NovelBy Diana Evans
HarperCollins Publishers, Inc.
Copyright © 2006 Diana Evans
All right reserved.
ISBN: 0060821825
Chapter One
Ham
Before they were born, Georgia and Bessi experienced a moment of indecision. They had been traveling through the undergrowth on a crescent moon night with no fixed destination and no notion of where they were, whether it was a field in Buckinghamshire, the Yorkshire Dales or somewhere along the M1 from Staples Corner to Watford. Night birds were singing. The earth smelled of old rain. Through scratchy bramble they scurried, through holes that became warm tunnels and softly lit underground caves. Their paws pressed sweet berries in the long grass and they sniffed each other's scent to stay together.
Soon they began to sense that they were coming to a road. One of those huge open spaces of catastrophe where so many had perished. Squirrels smashed into the tarmac. Rabbits, badgers, walking birds -- murdered and left for the flies. Bessi thought they should risk it and cross, there was nothing coming for miles. But Georgia wasn't sure, because you could never be sure, and look at what the consequences might be (a little way up the road a bird lay glistening in its blood, feathers from its wing pointing stiffly up to the sky).
They crept to the roadside to get a closer look. Nothing coming at all. No engine thunder, no lights. It took a long time for Georgia to come around. Okay then. Let's be quick, quicker than quick. Run, leap, fly. Be boundless, all speed. They stepped onto the road and shot forward, almost touching, and then the engine came, and for reasons beyond their reach, they stopped.
That was the memory that stayed with them later: two furry creatures with petrified eyes staring into the oncoming headlights, into the doubled icy sun, into possibility. It helped explain things. It reminded them of who they were.
A slowness followed the killing. While their blood seeped into the road they experienced warmth, softness, wet. But mostly it was brutal. There were screams and a feeling of being strangled. Then a violent push and they landed freezing cold in surgical electric white, hysterical, blubbering, trying to shake the shock from their hearts. It was a lot to handle. Georgia, who was born first, forty-five minutes first, refused to breathe for seven minutes. And two and a half years later, still resentful, she was rushed back to St. Luke's Hospital with dishcloth, carpet dust, half her afro, and tassels off the bottom of the sofa clinging to her intestines. She'd eaten them, between and sometimes instead of her rice pudding and ravioli. The ordeal of it. Ida running around the house shouting "Georgia's dying, my Georgia's dying!" and the ambulance whisking her off and Bessi feeling that strange sinking back toward the road (which, when they were old enough to explore the wilderness of Neasden, they decided could well have been the North Circular that raged across the bottom of their street).
There is a photograph of them seated at a table in front of their third birthday cake, about to blow, three candle flames preparing to disappear. Georgia's arms are raised in protest of something forgotten and across her stomach, hidden, is the scar left over from where they'd slit her open and lifted out the hair and the living-room carpet like bleeding worms and then sewed her back together. The scar grew up with her. It widened like a pale smile and split her in two.
As for Bessi, she spent her first human month in an incubator, with wires in her chest, limbs straggling and pleading like a beetle on its back. The incubator had a lot to answer for.
So georgia and Bessi understood exactly that look in the eye of the hamster downstairs in the sun lounge. He was ginger-furred with streaks of white, trapped in a cage next to the dishwasher. What is it? the eyes said. Where am I? The view from the cage was a hamster blur of washing machine, stacked buckets, breathless curtains and plastic bags full of plastic bags hanging from the ceiling like the ghosts of slaughter. People, giants, walked through from other parts of the house, slamming the door and setting off wind-chime bells. A sourfaced man with a morning tremble. A woman of whispers in a hairnet, carrying bread and frozen bags of black-eyed beans.
What is it?
Feebly he poked at the plastic wheel in the corner, looking for motion, hoping for escape or clarity. And the explanation never came. It was deeper than needing to know what the wheel was for, where the cage had come from and how he'd gotten there, or in the twins' case, the meaning of "expialidocious" or why their father liked Val Doonican. It was more of a What is Val Doonican? And therefore, What am I? The question that preceded all others.
The hamster was alone, which made it worse. Alone with a wheel on a wasteland of wood shavings and newspaper. Georgia and Bessi did everything they could: stuffed him with grapes and cleaned his mess, gave him a name. "Ham," Georgia said, her eyes level with Ham's because she was only seven, "be happy some days or you might not wake up in the morning, isn't it. Here's a present." She'd pulled a rose off the rosebush in the garden that was Her Responsibility (Aubrey had said so, and Ida had agreed -- so Kemy could shut up) and laid it, the ruby petals flat on one side, a single leaf asleep in the sun, on a saucer. She opened the cage and put the saucer next to Ham.
He sniffed it and then was still again, but with a thoughtful look on his face that wasn't there before. Georgia thought that sometimes flowers were better for people's health than food. She often spent entire afternoons in the garden with a cloth, a spade and a watering can, wiping dirt off leaves, spraying the lawn with vigor, and pulling away the harmful weeds.
Continues...
Excerpted from 26aby Diana Evans Copyright © 2006 by Diana Evans. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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