Undead: (Inter)(in)animation, Feminisms, and the Art of War (Volume 9) (Feminist Media Histories)

Undead: (Inter)(in)animation, Feminisms, and the Art of War (Volume 9) (Feminist Media Histories)

Undead: (Inter)(in)animation, Feminisms, and the Art of War (Volume 9) (Feminist Media Histories)

by: Karen Redrobe (Author)

Publisher: University of California Press

Publication Date: 2025-04-15

Language: English

Print Length: 252 pages

ISBN-10: 0520386264

ISBN-13: 9780520386266

Book Description

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.Undead examines the visual culture of war, broadly understood, through the lens of animation. Focusing on works in which relational, intermedial, and variably paced practices of “(inter)(in)animation” generate aesthetic tactics for thinking about, feeling, and reframing war, Karen Redrobe analyzes works by artists including Yael Bartana, Nancy Davenport, Kelly Dolak and Wazhmah Osman, Gesiye, David Hartt, Helen Hill, Onyeka Igwe, Maryam Mohajer, Ibrahim Nasrallah, and Mary Reid Kelley and Patrick Kelley. Deftly moving between cinema and media studies, peace and conflict studies, and art history, Undead is an interdisciplinary feminist meditation on the complex relationship between states of war and the discourses, infrastructures, and institutions through which memory, change, and understanding are made.

Editorial Reviews

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.Undead examines the visual culture of war, broadly understood, through the lens of animation. Focusing on works in which relational, intermedial, and variably paced practices of “(inter)(in)animation” generate aesthetic tactics for thinking about, feeling, and reframing war, Karen Redrobe analyzes works by artists including Yael Bartana, Nancy Davenport, Kelly Dolak and Wazhmah Osman, Gesiye, David Hartt, Helen Hill, Onyeka Igwe, Maryam Mohajer, Ibrahim Nasrallah, and Mary Reid Kelley and Patrick Kelley. Deftly moving between cinema and media studies, peace and conflict studies, and art history, Undead is an interdisciplinary feminist meditation on the complex relationship between states of war and the discourses, infrastructures, and institutions through which memory, change, and understanding are made.

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