The Structures of the Film Experience by Jean-Pierre Meunier

The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions (Film Theory in Media History) book cover

The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions (Film Theory in Media History)

Author(s): Julian Hanich (Editor), Daniel Fairfax (Editor)

  • Publisher: ‎ Routledge
  • Publication Date: ‎ September 15, 2019
  • Edition: ‎ 1st
  • Language: ‎ English
  • Print length: ‎ 354 pages
  • ISBN-10: ‎ 9462986568
  • ISBN-13: ‎ 9789462986565

Book Description

For the first time this volume makes Jean-Pierre Meunier’s insightful thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier’s intricate phenomenological descriptions of the spectator’s engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.

From the Back Cover

For the first time this volume makes Jean-Pierre Meunier’s insightful thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier’s intricate phenomenological descriptions of the spectator’s engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.

About the Author

Julian Hanich is Associate Professor of Film Studies at the University of Groningen. He is the author of two monographs: The Audience Effect: On the Collective Cinema Experience (2018) and Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear (2010).
Daniel Fairfax is Assistant Professor of Film Studies at the Goethe-Universität Frankfurt and an editor of the online film journal
Senses of Cinema.

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