Samuel Beckett and Disability Performance (New Interpretations of Beckett in the Twenty-First Century)

Samuel Beckett and Disability Performance (New Interpretations of Beckett in the Twenty-First Century)

by: Hannah Simpson (Author)

Publisher: Palgrave Macmillan
Edition:1st ed. 2022

Publication Date: August 21, 2022

Language: English

Print Length: 251 pages

ISBN-10: 3031041321

ISBN-13: 9783031041327

Book Description

Beckett’s plays have attracted a striking range of disability performances – that is, performances that cast disabled actors, regardless of whether their roles are explicitly described as ‘disabled’ in the text. Grounded in the history of disability performance of Beckett’s work and a new theorising of Beckett’s treatment of the impaired body, Samuel Beckett and Disability Performance examines four contemporary disability performances of Beckett’s plays, staged in the UK and US, and brings the rich fields of Beckett studies and disability studies into mutually illuminating conversation. Pairing original interviews with the actors and directors involved in these productions alongside critical analysis underpinned by recent disability and performance theory, this book explores how these productions emphasise or rework previously undetected indicators of disability in Beckett’s work. More broadly, it reveals how Beckett’s theatre compulsively interrogates alteative embodiments, unexpected forms of agency, and the extraordinary social interdependency of the human body. Winner of the TaPRA David Bradby Monograph Prize, 2023.
Beckett’s plays have attracted a striking range of disability performances – that is, performances that cast disabled actors, regardless of whether their roles are explicitly described as ‘disabled’ in the text. Grounded in the history of disability performance of Beckett’s work and a new theorising of Beckett’s treatment of the impaired body, Samuel Beckett and Disability Performance examines four contemporary disability performances of Beckett’s plays, staged in the UK and US, and brings the rich fields of Beckett studies and disability studies into mutually illuminating conversation. Pairing original interviews with the actors and directors involved in these productions alongside critical analysis underpinned by recent disability and performance theory, this book explores how these productions emphasise or rework previously undetected indicators of disability in Beckett’s work. More broadly, it reveals how Beckett’s theatre compulsively interrogates alteative embodiments, unexpected forms of agency, and the extraordinary social interdependency of the human body. Winner of the TaPRA David Bradby Monograph Prize, 2023.

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