Mode Art in the Arab World:Primary Documents (MoMA Primary Documents)

Mode Art in the Arab World:Primary Documents (MoMA Primary Documents)

by: Anneka Lenssen (Editor),Sarah Rogers(Editor),Nada Shabout(Editor)&0more

Publisher: Duke University Press Books

Publication Date: 7 Jun. 2018

Language: English

Print Length: 464 pages

ISBN-10: 1633450384

ISBN-13: 9781633450387

Book Description

Mode Art in the Arab World:Primary Documents offers an unprecedented resource for the study of modeism:a compendium of critical art writings by twentieth-century Arab intellectuals and artists. The selection of texts—many of which appear here for the first time in English—includes manifestos, essays, transcripts of roundtable discussions, diary entries, exhibition guest-book comments, letters, and more. Traversing empires and nation-states, diasporas and speculative cultural and political federations, these documents bring light to the formation of a global modeism, through debates on originality, public space, spiritualism and art, postcolonial exhibition politics, and Arab nationalism, among many other topics. The collection is framed chronologically, and includes contextualizing commentaries to assist readers in navigating its broad geographic and historical scope. Interspersed throughout the volume are sixteen contemporary essays:writings by scholars on key terms and events as well as personal reflections by mode artists who were themselves active in the histories under consideration. A newly commissioned essay by historian and Arab-studies scholar Ussama Makdisi provides a historical overview of the region’s intertwined political and cultural developments during the twentieth century. Mode Art in the Arab World is an essential addition to the investigation of modeism and its global manifestations. Publication of the Museum of Mode Art Distributed by Duke University Press
About the Author
Mode Art in the Arab World:Primary Documents offers an unprecedented resource for the study of modeism:a compendium of critical art writings by twentieth-century Arab intellectuals and artists. The selection of texts—many of which appear here for the first time in English—includes manifestos, essays, transcripts of roundtable discussions, diary entries, exhibition guest-book comments, letters, and more. Traversing empires and nation-states, diasporas and speculative cultural and political federations, these documents bring light to the formation of a global modeism, through debates on originality, public space, spiritualism and art, postcolonial exhibition politics, and Arab nationalism, among many other topics. The collection is framed chronologically, and includes contextualizing commentaries to assist readers in navigating its broad geographic and historical scope. Interspersed throughout the volume are sixteen contemporary essays:writings by scholars on key terms and events as well as personal reflections by mode artists who were themselves active in the histories under consideration. A newly commissioned essay by historian and Arab-studies scholar Ussama Makdisi provides a historical overview of the region’s intertwined political and cultural developments during the twentieth century. Mode Art in the Arab World is an essential addition to the investigation of modeism and its global manifestations. Publication of the Museum of Mode Art Distributed by Duke University Press

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