Images of Dutchness: Popular Visual Culture, Early Cinema and the Emergence of a National Cliché, 1800-1914 (Framing Film)
Author(s): Sarah Dellmann (Author)
Publisher: Routledge
Publication Date: October 6, 2018
Edition: 1st
Language: English
Print length: 422 pages
ISBN-10: 9462983003
ISBN-13: 9789462983007
Book Description
Why do early films present the Netherlands as a country full of canals and windmills, where people wear traditional costumes and wooden shoes, while industries and modern urban life are all but absent? Images of Dutchness investigates the roots of this visual repertoire from diverse sources, ranging from magazines to tourist brochures, from anthropological treatises to advertising trade cards, stereoscopic photographs, picture postcards, magic lantern slide sets and films of early cinema. This richly illustrated book provides an in-depth study of the fascinating corpus of popular visual media and their written comments that are studied for the first time. Through the combined analysis of words and images, the author identifies not only what has been considered Ÿtypically DutchŒ in the long nineteenth century, but also provides new insights into the logic and emergence of national clichés in the Western world.
From the Back Cover
Why do early films present the Netherlands as a country full of canals and windmills, where people wear traditional costumes and wooden shoes, while industries and modern urban life are all but absent? Images of Dutchness investigates the roots of this visual repertoire from diverse sources, ranging from magazines to tourist brochures, from anthropological treatises to advertising trade cards, stereoscopic photographs, picture postcards, magic lantern slide sets and films of early cinema.This richly illustrated book provides an in-depth study of the fascinating corpus of popular visual media and their written comments that are studied for the first time. Through the combined analysis of words and images, the author identifies not only what has been considered Ÿtypically DutchŒ in the long nineteenth century, but also provides new insights into the logic and emergence of national clichés in the Western world.
About the Author
Sarah Dellmann worked as researcher and lecturer at Utrecht University, University of Groningen and Amsterdam University College, the Netherlands. Her main research interests lie in the field of early cinema studies as well as visual history and culture of the nineteenth and twentieth centuries, with a focus on Western media history.