The Death and Life of Main Street: Small Towns in American Memory, Space, and Community
Author: Miles Orvell
Publisher: The University of North Carolina Press
Edition: Reprint edition
Publication Date: 2014-08-01
Language: English
Paperback: 316 pages
ISBN-10: 1469617552
ISBN-13: 9781469617558
Book Description For more than a century, the term “Main Street” has conjured up nostalgic images of American small-town life. Representations exist all around us, from fiction and film to the architecture of shopping malls and Disneyland. All the while, the nation has become increasingly diverse, exposing tensions within this ideal. In The Death and Life of Main Street, Miles Orvell wrestles with the mythic allure of the small town in all its forms, illustrating how Americans continue to reinscribe these images on real places in order to forge consensus about inclusion and civic identity, especially in times of crisis. Orvell underscores the fact that Main Street was never what it seemed; it has always been much more complex than it appears, as he shows in his discussions of figures like Sinclair Lewis, Willa Cather, Frank Capra, Thornton Wilder, Margaret Bourke-White, and Walker Evans. He argues that translating the overly tidy cultural metaphor into real spaces–as has been done in recent decades, especially in the new urbanist planned communities of Elizabeth Plater-Zyberk and Andres Duany–actually diminishes the communitarian ideals at the center of this nostalgic construct. Orvell investigates the way these tensions play out in a variety of cultural realms and explores the rise of literary and artistic traditions that deliberately challenge the tropes and assumptions of small-town ideology and life.
Review
Thought-provoking.–Publishers Weekly
Highly recommended. Upper-level undergraduates and above.–
Choice
An eye-opening exploration of the mythology and culturally laden concepts behind small towns and Main Street.–
The Annals of Iowa
An invigorating kaleidoscopic tour as different elements pop into prominence in different chapters. . . . A fascinating exploration of the transformation of the small town in the national imagination from slough of black-slapping mediocrity to embodiment of democratic virtue.–
Register of the Kentucky Historical Society
This book is rich with literary and visual examples.–
Journal of American History
A creative, cohesive approach. . . . Orvell’s analysis is astute and readable. . . . A compelling and useful text.–
North Carolina Historical Review
An admirable job of mapping the symbolic meanings of small-town America. . . . Lucid and engaging.–
Journal of Historical Geography
Leaves no doubt that the New Urbanism owes a debt to small-town America.–
AAG Review of Books
Stimulating and productive. . . . A striking example of how to do cultural history.–
H-Memory
An engaging study of the development of Americans’ sense of community in the twentieth and early twenty-first century. . . . A worthwhile read for those interested in the intersection of American culture with urban and suburban history.–
Australasian Journal of American Studies
Review
In this clear-eyed and lively history of one of the most enduring icons of American life, Miles Orvell shows how Main Street as a concept has simultaneously attracted and repelled Americans, offering them both an imaginary homeland and a spiritual wasteland. While some have yearned to “get back” to the supposed innocence and small-town virtues of Main Street,others have decried its suffocating conformity. Orvell brilliantly reconsiders such figures as Walt Whitman, Walt Disney, Henry Ford, Sinclair Lewis, Frank Capra, Norman Rockwell, Robert and Helen Lynd, and Jane Jacobs, whose famous disquisition on the American metropolis Orvell alludes to in his title. This book shows why exiles on Main Street, along with more contented inhabitants, can never let it go.–David M. Lubin, Wake Forest University
Book Description
At the center of American values
About the Author
Miles Orvell is professor of English and American studies at Temple University. He is author of several books, including American Photography and The Real Thing: Imitation and Authenticity in American Culture, 1880-1940.
