Art, Power, and Resistance in the Middle Ages (Signa: Papers of the Index of Medieval Art at Princeton University)
by: Pamela A. Patton (Editor)
Publisher: Penn State University Press
Publication date: 2024-12-17
Language: English
Print length: 236 pages
ISBN-10: 027109737X
ISBN-13: 9780271097374
Book Description
This volume addresses a vital point of intersection between images in the Middle Ages and those in the mode world: the potential of medieval works of art to convey messages of power and resistance. Provoked by the misuse of medieval imagery in mode discussions, the contributors to this volume assess how medieval images connect to discourses of power in both the past and the present.The contributors each began with a single question: In the eyes of their makers and viewers, how were medieval images understood to assert or to resist forces of power? Their case studies come from a wide range of cultural, geographic, and historical contexts: the Byzantine, Ottonian, and Valois courts; the Umayyad and Castilian regimes of the Iberian Peninsula; the pluralistic military and commercial zones of the easte Mediterranean; and the metaphorical as well as personal battlegrounds linked to medieval “courtly love” culture. Over eight chapters, the authors highlight pattes of visual rhetoric still evident in art today. They invite readers to contemplate how mode priorities and sensibilities might amplify, mute, or transform the discourses related to power and resistance that were threaded through the visual culture of the Middle Ages.This insightful book should be of value to anyone interested in medieval art history and art’s relationship to power and authority in society.In addition to the editor, the contributors include Heather A. Badamo, Elena N. Boeck, Thomas E. A. Dale, Martha Easton, Eliza Garrison, Anne D. Hedeman, Tom Nickson, and Avinoam Shalem.
Editorial Reviews
\nThis volume addresses a vital point of intersection between images in the Middle Ages and those in the mode world: the potential of medieval works of art to convey messages of power and resistance. Provoked by the misuse of medieval imagery in mode discussions, the contributors to this volume assess how medieval images connect to discourses of power in both the past and the present.The contributors each began with a single question: In the eyes of their makers and viewers, how were medieval images understood to assert or to resist forces of power? Their case studies come from a wide range of cultural, geographic, and historical contexts: the Byzantine, Ottonian, and Valois courts; the Umayyad and Castilian regimes of the Iberian Peninsula; the pluralistic military and commercial zones of the easte Mediterranean; and the metaphorical as well as personal battlegrounds linked to medieval “courtly love” culture. Over eight chapters, the authors highlight pattes of visual rhetoric still evident in art today. They invite readers to contemplate how mode priorities and sensibilities might amplify, mute, or transform the discourses related to power and resistance that were threaded through the visual culture of the Middle Ages.This insightful book should be of value to anyone interested in medieval art history and art’s relationship to power and authority in society.In addition to the editor, the contributors include Heather A. Badamo, Elena N. Boeck, Thomas E. A. Dale, Martha Easton, Eliza Garrison, Anne D. Hedeman, Tom Nickson, and Avinoam Shalem.