Politics of Recognition and Representation in Indian Stand-Up Comedy (Palgrave Studies in Comedy)

by: Richa Chilana (Editor),Rashi Bhargava (Editor)

Publisher: Palgrave Macmillan

Edition: 2024th

Publication Date: 2024/6/1

Language: English

Print Length: 263 pages

ISBN-10: 3031394267

ISBN-13: 9783031394263

Book Description

This book, first of its kind in the Indian context, brings together both a theoretical understanding of various aspects of the humour, aesthetics and politics of stand-up comedy, and case studies of various forms of stand-up comedy in India. This volume is interdisciplinary wherein the contributors raise pertinent issues about the role of stand-up comedy in India in contemporary times. With an increased presence of OTT platforms and inteet penetration that allows for easy access to this art form, stand-up comedy in India cannot be ignored anymore. The book includes chapters on Indian stand-up comedy related to the themes of:interrogating the term ‘Indian stand-up comedy’; historical lineage of stand-up in India; the politics of language and laughter; ‘charged humour’ vs ‘safe’/profitable comedy; stand-up comics as parrhesiastes, performance of the self and comic personas; comedy and other forms of artistic expression; laughter clubs, urbanism and stand-up comedy; surveillance, censorship and trolling; the economy of production and consumption of stand-up comedy and the ‘silences’ and limitations in the contemporary form of stand-up in India.

About the Author

This book, first of its kind in the Indian context, brings together both a theoretical understanding of various aspects of the humour, aesthetics and politics of stand-up comedy, and case studies of various forms of stand-up comedy in India. This volume is interdisciplinary wherein the contributors raise pertinent issues about the role of stand-up comedy in India in contemporary times. With an increased presence of OTT platforms and inteet penetration that allows for easy access to this art form, stand-up comedy in India cannot be ignored anymore. The book includes chapters on Indian stand-up comedy related to the themes of:interrogating the term ‘Indian stand-up comedy’; historical lineage of stand-up in India; the politics of language and laughter; ‘charged humour’ vs ‘safe’/profitable comedy; stand-up comics as parrhesiastes, performance of the self and comic personas; comedy and other forms of artistic expression; laughter clubs, urbanism and stand-up comedy; surveillance, censorship and trolling; the economy of production and consumption of stand-up comedy and the ‘silences’ and limitations in the contemporary form of stand-up in India.

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